The women of the conquered city await their fates amid the wreckage. Among them, Hecuba — queen of a city that no longer exists. Cassandra, the prophetess who was never believed. Helen, of Troy or Sparta, blamed for the war. Andromache: once a princess, now orphan, widow, mother, and soon to be slave.
As the ships load spoils of war and the Greek army prepares to depart, a lonely young soldier grapples with his own actions when faced with the human suffering of people he has now met, and a profound connection he could not foresee.
A powerful exploration of the consequences of violence and the culpability of witnesses to wrongdoing, laced with questions about the purpose of love and of attempting to pursue hope in the most hopeless of circumstances. Jessie Holder Tourtellotte's urgent new adaptation of Euripides' tragedy gives voice to its characters with tenderness and ferocity — adding gripping pace and stakes to ancient poetic laments, calling out a warning to its audience as relevant today as it was thousands of years ago.
Two acts · Verse tragedy · 95–105 minutes · Large ensemble
"Jessie Holder Tourtellotte's unflinching and raw new adaptation of The Trojan Women is ominous, tender, and heartbreaking. With a palpable love for the women in this play, Holder Tourtellotte renders her characters with electricity and size. This is a big story. Ensemble theatres, schools, and communities will offer their audiences a memorable theatrical event with this harrowing and relevant portrait of the post-war experience."
"This is a play that begs to be heard aloud, on the largest stage possible. Broadway works. So does a bombed-out amphitheater in the middle of a war zone… The Trojan Women is a symphony made for the gods — which is to say, it is a play for us, today."
"A powerful play that does not shy away from the terrible truths presented in the aftermath of war, those who suffer, and those who must bear witness."
The Poetics Theatre Collective, with members of Lake Braddock Theatre's class of 2024.
July 2024
Lake Braddock Theatre, Northern Virginia · May 2025
Directed by John Tourtellotte. Movement Direction, Intimacy Choreography, Original Music, and Text & Acting Coaching by Jessie Holder Tourtellotte.
Directed by Denise Blase · Spring 2026
"Her favorite play she had ever directed and an honor to work on a play that feels more and more relevant."
Virginia Commonwealth University · October 2026
Directed by Nathaniel Howard, who performed in the original premiere.
Jessie Holder Tourtellotte is an actor, writer, and performing arts professional and teaching artist. Her writing has been recognized with wins including the Los Angeles International Screenwriting Competition, placement on the Capitol Hot 100, and semifinalist status in the Academy of Motion Picture Arts and Sciences Nicholl Fellowships.
She is the producer of Nora Fiffer's feature film Another Happy Day, starring Lauren Lapkus and Carrie Coon, which played festivals including Vail, Beverly Hills International, and Santa Barbara International.
Her work with classical text is extensive — acting, coaching, text work, movement direction, and adaptation for companies and training programs nationwide. She currently serves as a Senior Teaching Artist on Faculty with Acting for Young People, George Mason Community Arts Academy, and The Artists' Initiative.
In the three years since relocating to the DC Area, she has worked in leadership on thirteen full productions and contributed creatively to twenty others locally — including Romeo and Juliet and The Trojan Women — earning consecutive Best Play and Best Musical designations from the Cappies of the National Capital Area. She completed her undergraduate studies at the University of the Arts in Philadelphia.
The acting and reading edition of The Trojan Women — 6×9 trim, featuring the playwright's note, full production credits, and Murphy Finnegan's original cover art.
Pre-Order Opening October 2026Pre-order link coming soon. Leave your email below to be notified.
The Trojan Women is available for licensing by professional, educational, and community theatre companies. The play features a large ensemble with substantial roles for women, flexible casting, and built-in guidance for movement and music.
For performance rights inquiries — including regional, educational, and international productions — please contact the playwright directly.
jhttheatre@gmail.com